I will be opening my studio for Dorset Artweeks, Venue 283 in the Artweeks Guide. Open every day, 10.30 – 4.30 except Thursdays, when closed.
I am listed under textiles, but there will be lots of my prints too.
This excellent group show of selected makers from Dorset opens this Friday, December 8th 2017. I will have prints and small tapestries here. A few other works of mine can currently be found in group shows at The Red Brick Building in Glastonbury, and ACE Arts in Somerton. Both lovely shows.
An exciting year ahead, as I continue to develop work that I started in December around the power of stripes. Like my work around mending, this interest started through my love of the visual impact of stripes, but I am fast finding there is also a great deal of iconography and culture to be explored. Quite a change from mending, but no doubt some of that will creep in somewhere. This new work will form part of a selected retrospective of my work in June 2017 at the Slade Centre, Gillingham, Dorset. More details about this soon.
This is a still of one of my favourite shots from the video I have been making for the project with Somerset Heritage Stores that I have been part of over the past year. I had NEVER made a video before, but with great support, it’s done, and will be part of the show, New Dimensions, that opens at Taunton Museum On January 16th. I have also made textiles, and prints, and even had some of my tapestry weaving cast in bronze……my five artist colleagues have also been making a fantastical array of work in response to the collections. More on this early in the New Year, and about my next show about mending, Mending Revealed, that I am curating and taking part in. No let up on the studio front here!
September 29th 2015
Participation in three shows coming up!
Quartz Festival at Queens College, Taunton – a mixed show of a range of locally based artists, curated by Lisa Harty and Sarah Dudman. Opens tomorrow,Wednesday September 30th and runs til Saturday October 11th, 10- 6 daily. I have both prints and small tapestries there. http://quartzfestival.co.uk/
The second show promises to be really interesting; ‘Re-animate, Repair and Meld’ at the Bluecoat Display Centre in Liverpool is being curated by Paul Scott, whose brilliant stapled plates were part of my ‘Nature of Mending’ show in 2013. It will feature the work of artists who are concerned with the re-use and re-animation of existent (often devalued or discarded) cultural material. Other artists include Matthew Harris, Neil Brownsword, Bouke de Vries, and Jenni Dutton and Bridget Harvey, (both of whom will be in my next Mending show in 2016; more on this in due course). There will also be artists from Canada and Scandinavia. ‘Re-animate, Repair and Meld’ will run October 10th – November 14th. http://www.bluecoatdisplaycentre.com/
Finally, Stroud International Textiles (SIT) are mounting a Showcase weekend of stands, exhibitions and events at Cheltenham Town Hall Friday October 23rd – Sunday October 25th. I will have several of my small, block mounted tapestries on show here. http://www.sitselect.org/showcase/index.html
Through all of this activity, I and five other artists are still working on the Discovery Room project, exploring the museum stores and archives of Somerset Heritage. I have been trying out all kinds of new processes from video to casting textiles in bronze! Will do a full post on this before the final show opens in Taunton. More details at http://www.revealthemuseum.com
Finally, a PS. If you read my post about Bologna and Peralta, from June 2014 (still on this page, just) it talks about Fiore de Henriquez. Good friend Charles Mapleston has now finished his very fine film about this extraordinary sculptor, and a trailer can be seen at http://www.malachite.co.uk/films.html
July 10th 2015
Just returned from the extraordinary odyssey that is a trip to the Venice Biennale. Just wandering the streets and little bridges is a visual feast before you start on the art. Here are notes of a few of my favourites:
‘Dansaekhwa’ Palazzo Contarini-Polignac. 7 Korean artists, who have been working since the 1960s. A pool of extreme calm amid the heat and tourist buzz of central Venice. http://www.venice-dansaekhwa.com
‘Proportio’ Museo Fortuny. An astonishing show on four floors of this fantastic building. Restored my faith in the art of curation. The Axel & May Vervoordt Foundation have put together a rich collection of artefacts and artworks from across centuries that are grounded in art and instinct of proportion. Peeling walls, raw linen and antique Fortuny fabrics form the background to work as diverse as Botticelli, Elsworth Kelly, an ancient architectural fragment from the Yemen, Bill Viola, Richard Long and a library of priceless books, to touch on a tiny number of experiences. Beautiful catalogue weighs a ton, but can be bought online from the Foundation website. http://www.axel-vervoordt.com/en/inside/foundation/exhibitions/proportio
And the official Biennale proper? In other words the vast Arsenale mixed show, and the national pavilions in the Giardini. Well, at 25 euros entry for both, each of which can take up a whole day, this is good value. But what you find is patchy. Highlights in the pavilions were Fiona Hall in the Australian, and Chiharu Shiota’s keys and boats and miles and miles of red thread in the Japanese
Enough. But must not forget to mention Sean Scully at the Palazzo Falier, or Cy Twombly at the Ca’ Pesaro. Back now to my own threads and paper.
I love this moment: the warp is on and spaced and tensioned, and the first rows in there. All possibilities now open. There are two on the go here, one for Reveal the Museum, (http://www.revealthemuseum.com) and the other, if finished in time (i.e. next March, and yes, I am serious!) for Mending Revealed (http://www.natureofmending.co.uk)
21st April 2015
I have just cut this off the loom – a small piece of weaving made for the Discovery Room project (http://www.revealthemuseum.com) which has taken weeks, thanks to my mad idea of using lots of ‘extra warp’ to create all those little flying pieces and the fine mercerised cotton lines. All about surfaces, and a sense of touch…..you need to read my pieces on the project site and its blog (link above) to find out more.
Meanwhile, I have somehow also got involved in ‘From Lincolnshire And Back’, a project posting unfinished work to a partner artist in Lincolnshire, and receiving one back to work on. I must be mad, like I don’t have enough to do! I have been experimenting with wire, again for the Discovery Room and my ‘surfaces’ ideas, so on the left are the pieces I sent to Lincolnshire. On the right is a new print, very small (85mm square) for the miniprint show that Bron Bradshaw is organising for her Dove Studios Festival this summer. It is taken from the clothing of a Victorian doll in the Somerset Heritage stores. So Discovery Room dominates, but is producing all sorts of different work and spin-offs. And I can’t forget about the next Mending show of course, ‘Mending Revealed’, that I am curating at Bridport next year. There will be more news about how that is shaping up in due course at http://www.natureofmending.co.uk